Text by Megan Ratner
American artist Glenn Ligon’s latest monumental screen-printed paintings draw upon Minimalist composer Steve Reich’s taped-speech work Come Out. Ligon’s series recontextualises the phrase ‘Come out to show them’ from the testimony of one of the badly beaten Harlem Six, which Reich isolated for his 1966 work. Whilst Reich repeats the refrain on two channels that gradually become out of sync, Ligon continually superimposes the words onto the canvas to form densely layered landscapes of text. Echoing Reich's music, the artist increases the number of silkscreen layers in each painting until the words verge on abstraction. Bringing together illustrations of new studies and paintings originally exhibited at Thomas Dane Gallery, London, an essay by Megan Ratner examines the relationship between the paintings, the phrase and history.
Published by Ridinghouse, 2014 Hardcover 48 pages with 25 color images Dimensions: 12 x 11 1/4 inches (30.48 x 28.57 cm) This title is out of print Condition: New.  In original shrinkwrap

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Edited with introduction by Matthew Simms
In 1969 curator, critic and former Jewish Museum director Alan Solomon interviewed Craig Kauffman, Larry Bell, James Turrell and Robert Irwin in conjunction with an exhibition he was organizing. They are the earliest in-depth interviews with each artist. Because of his untimely death they have remained in his archives and are published here for the first time. The interviews provide a rare glimpse into the early careers of these seminal artists, documenting their critical, aesthetic and intellectual concerns at a pivotal moment, allowing readers new insight into an important era of American postwar art. Solomon rose to prominence in the 1960s as a curator at the Jewish Museum in New York, where he organized a series of first solo exhibitions for the likes of Jasper Johns and Robert Rauschenberg. He also curated several major international surveys, including the 1964 Venice Biennale, where Rauschenberg won the Golden Lion. In 1968 Solomon left New York to take up a position at the fledgling University of California campus in Irvine, which was home to a dynamic group of young faculty and students. There he became acquainted with Kauffman, Bell, Turrell and Irwin, who have since been recognized as canonical participants in California Light and Space art of the 1960s. With this volume his engagement with these artists, and their roles in this important art historical episode, has finally been brought to light.
Published by Circle Books, 2019 Softcover, 224 pages Dimensions 5 x 7 1/2 inches (12.70 x 19.05 cm)

The Los Angeles Tapes Alan Solomon's Interviews With Kauffman, Bell, Turrell, And Irwin

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By Nancy Doll, Nancy Princethal and Xandra Eden
Featuring visually stunning works from one of today’s most innovative sculptors, this comprehensive volume is the first critical survey of Nancy Rubins’s entire career. Considered one of the most important sculptors working today, Nancy Rubins has been the subject of few scholarly or critical writings. This book fills that void as it considers the relationship between the artist’s works on paper and her sculpture. Called the "California genius of junk" by critic Peter Schjeldahl, Rubins has a unique talent for transforming industrial materials into weightless, delicate objects. She incorporates pre-fabricated boat and plane parts, mattresses, discarded appliances and other recycled items into visually stunning, gravity-defying installations that encourage viewers to reconsider the pieces’ original elements and how they should behave. Dazzling color illustrations explore these muscular yet graceful pieces while thoughtful essays consider previously unexamined aspects of Rubins’ work, such as its relationship to that of other artists, its physiological and psychological impact on the viewer, and its feminist underpinnings. Fans of Rubins’s sculptures will find this volume a satisfying and enriching exploration of her process and artistic vision.
Published by Prestel, 2014 Hardcover, 168 pages Dimensions: 12 1/4 x 9 3/4 inches (35.11 x 24.76cm)

Nancy Rubins: Drawing Sculpture Studies

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By Sheena Wagstaff, Benjamin H. D. Buchloh, Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, André Rottmann
This lavishly illustrated monograph explores Richters complex relationship to figuration, abstraction and memory through more than 100 key canvases.

New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist’s technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist’s enduring interest in photographic imagery; Briony Fer looks at Richter’s family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist’s engagement with landscape as a site of memory; André Rottmann considers the impact of randomization and chance on Richter’s abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter’s rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.

Publication Date: March 10, 2020 Published by The Metropolitan Museum of Art, 2020
Hardcover, 270 pages
Dimensions: 9 1/2 x 10 1/2 277 color illus.

Gerhard Richter Painting After All

Edited by Suzanne Cotter, Achim Hochdörfer, Tonio Kröner. Text by Manuela Ammer, Benjamin H.D. Buchloh, et al.

This chronological overview of the painting, performances and music of Jutta Koether (born 1958) reaches back to her beginnings in Cologne's neo-expressionist circles of the early and mid-1980s, tracing her move to New York in the early 1990s and her large-scale paintings that layer motifs from pop culture, literature and art history.
Published by Walther Konig, 2018 Hardcover 304 pages with 250 color images
Dimensions: 11 3/4 x 10 inches (29.84 x 25.4 cm)

Jutta Koether: Tour De Madame

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Edited by Christophe Cherix, Cornelia Butler, and David Platzker. with texts by Christophe Cherix, Cornelia Butler, David Platzker, and Adrian Piper. Backmatter compiled by Tessa Ferreyros
Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today.
Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper’s mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being—her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper’s pivotal position among her peers and for later generations.
Published by Museum of Modern Art, New York, 2018 Hardcover 352 pages with 373 color images Dimensions 12 x 9 1/2 inches (30.48 x 24.13 cm)

Adrian Piper A Synthesis Of Institutions

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This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Published by Karma, 2019
Spiral-Bound softcover
Dimensions: 5 x 3 inches (12.7 x 7.62 cm)
Edition of 2,500 copies

Lee Lozano: Private Book 5

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By Ben Street
200 Words to Help You Talk About Art is designed to demystify jargon-based art language and make you at ease holding a conversation on the topic. Art can be intimidating to the uninitiated, but with Ben Street’s help you’ll know your Dada from your diptych in no time. The book is written with digestible text enabling a quick and easy understanding of various topics while broadening your artistic vocabulary.
Published by Laurence King Publishing, 2020 Hardcover, 128 pages Dimensions 7 1/4 x 5 inches (18.41 x 12.7 cm)

200 Words To Help You Talk About Art

Cuban food is known worldwide for its blend of bright colours and intense flavors, and Cuba: The Cookbook is the first book to celebrate and document comprehensively its cuisine and contemporary food culture. Collected by those who best know the entire Cuban culinary landscape, the 350 home-cooking recipes in this compendium explore the country's myriad traditions and influences - from Spanish to Soviet to Chinese - through recipes for appetizers, rice dishes, fish, meat, vegetables, egg dishes, desserts, and more.
Dimensions: 11" H x 7.38" W x 1.75" D Hardcover : 432 pages Publisher : Phaidon Press; Illustrated edition (June 1, 2018) Language : English

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Edited with text by Helen Molesworth. Interviews with Lindsay Charlwood, Dagny Corcoran, Daniel DeSure, Thomas Houseago, Deana Lawson, Henry Taylor, and Venus X by Helen Molesworth
This catalogue is born of the unique relationship between Davis and Helen Molesworth, whom Davis entrusted to be the curator of his work. It is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to The Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis’s life, Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Together with color illustrations and archival photographs, the book features heartfelt testimonials that unfold in the intimate yet expansive spirit of studio visits with people close to him.
Published by David Zwirner Books and The Underground Museum, 2020 Hardcover, 176 pages. 95 color images Dimensions 10 x 12 inches (25.4 x 30.5 cm)

Noah Davis

Wine Food is a wine course in a cookbook for everyone who wants to learn about wine simply by drinking it. Here, sommelier Dana Frank and wine-loving recipe writer Andrea Slonecker distill the basics - how to buy, how to store, how to taste - and deliver more than 75 instant-hit recipes, all inspired by affordable wines made by producers to know. Each recipe opens with a succinct summary of the wine style that inspired the dish and explains the interplay between the wine and the food. Whether you like thinking about which bottle to pour at brunch, with picnic fare, for midweek dinners, at weekend feasts, or for all of those times, Wine Food makes learning about wine flavorful, fun, and easy. STYLE #: BOOK206

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Hank Willis Thomas: All Things Being Equal presents a survey of the artist’s prolific and extraordinary interdisciplinary career, with a particular focus on the work’s relationship to the photographic image and to issues of representation and perception. At the core of Hank Willis Thomas’s practice, is his ability to parse and critically dissect the flow of images that comprise American culture, with particular attention to race, gender, and cultural identity.
This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between art historian Kellie Jones and the artist that elaborates on Thomas’s influences and inspirations.
Published by Aperture, 2018 Hardcover, 256 pages 300 images Dimensions: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm) First edition

Hank Willis Thomas: All Things Being Equal

By Jan Herman
A time capsule made of words, this fascinating and thoroughly entertaining collection of 21 short vignettes shines a personal and penetrating light on a score of mainstream and countercultural figures, including William Burroughs, Norman Mailer, Mary Hemingway, Paul Theroux, John Cheever, Allen Ginsberg, Jack Kerouac, James Michener and Nelson Algren. As one enviably close to the originators of the Beat Generation as well as post-Beat and Fluxus writers and artists, author Jan Herman offers invaluable insights and historic perspective gained from his involvement in the avant-garde underground of the 1960s. Including an essay on his own life titled My Adventures in Fugitive Literature Or, How I got to San Francisco, clerked at City Lights, started a little magazine, published William Burroughs, and landed in Vermont as Editor of Something Else Press.
Published by AC Books, 2015 Softcover, 240 pages Dimensions: 8 x 5 inches (20.32 x 12.70 cm) This book is out of print Condition: New

The Z Collection: Portraits And Sketches

By Jo Ann Callis, with contributions by Francie Prose
Other Rooms , the first publication to comprehensively feature Jo Ann Callis’ mid-1970s investigation of the nude body and sexuality, is a revelation; the work is provocative, seductive and remarkably fresh. The artist’s playful, evocative use of constrictions and overlays on the human form, including twine, belts, tape and other everyday materials, are both humorous and fraught, offering an intensely personal assessment of the variable meanings of pleasure and the female nude as a staple of fine art photography. Callis has been an active artist since the 1960s, working in painting, sculpture and photography, among other media, and is known for capturing complex and often opposing emotions in a single piece. Jo Ann Callis: Other Rooms is an exquisitely produced artist’s book containing Callis’ photographs of the human form from her 1976-77 provisionally titled series Early Color, as well as a selection of black-and-white photographs from the same period.
Published by Aperture, 21014 Hardcover, 88 pages. Dimensions: 11 x 8 3/4 inches (27.94 x 22.22 cm)

Jo Ann Callis: Other Rooms

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The style that embraces the all-out--beautiful color palettes, luxurious textiles, patterns, and embellishment--has made a comeback. Maximalism is the epitome of passion, one in which Scandi-style, stripped bare, and pared-back interiors have no place. Abigail Ahern guides us through the change in the world of interiors as the pendulum swings away from minimalism and over to our increasing desire for self-expression and optimism. Readers will learn how to break the "rules" of interior design, play fast and loose with different periods in a single room, and have fun. Maximalism allows us to dip into color palettes and any decade or style, with the effect of stirring up emotions and creating a bedazzling space we never want to leave.
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By Andrea Miller-Keller, Stephen Melville, Marc Blondeau and Philippe Davet
Louise Lawler focuses her camera on high art and its spaces, from the rarefied white cube to the windowless storeroom, from the collector’s luxurious bedroom to the featureless boardroom. Part institutional critique, part social commentary and part wandering gaze, Lawler’s glossy photographs redirect the viewer’s attention from the artworks to their environs, exposing a set of supple relationships surrounding the presentation and marketing of art and its role in conferring and reflecting power. Lawler’s emphasis on context as a defining factor in the assignment of an object’s value throws her own sumptuous photographs into a state of eloquent suspension. In 1984, Lawler was granted access to the homes of visionary collectors Burton and Emily Tremaine, and she has since tracked the works she photographed there as they have wended their way through museums and auction houses. With texts by Stephen Melville and Andrea Miller-Keller, this publication gathers almost all the Tremaine Pictures produced between 1984 and 2007.
Published by JRP | Ringier, 2008 Softcover, 108 pages Dimensions: 9 3/4 x 9 3/4 inches (24.76 x 24.76 cm)

Louise Lawler: The Tremaine Pictures

Iconoclast and artist Pope.L uses the body, sex, and race as his materials the way other artists might use paint, clay, or bronze.  His work problematizes social categories by exploring how difference is marked economically, socially, and politically. Working in a range of media from ketchup to baloney to correction fluid, with a special emphasis on performativity and writing, Pope.L pokes fun at and interrogates American society’s pretenses, the bankruptcy of contemporary mores, and the resulting repercussions for a civil society. Other favorite Pope.L targets are squeamishness about the human body and the very possibility of making meaning through art and its display. Published to accompany his wonderfully inscrutable exhibition Forlesen at the Renaissance Society at the University of Chicago, Pope.L: Showing Up to Withhold is simultaneously an artist’s book and a monograph. In addition to reproductions of a number of his most recent artworks, it includes images of significant works from the past decade, and presents a forum for reflection and analysis on art making today with contributions by renowned critics and scholars, including Lawrie Balfour, Nick Bastis, Lauren Berlant, and K. Silem Mohammad.

William Pope.l: Showing Up To Withhold

Edited by Peter Pakesch. Text by Adam Budak
Diana Thater's video "gorillagorillagorilla," continues the artist's merging of fictive cinematic space and the physical exhibition space in order to disrupt the viewer's position and perception of identity.
The large-format video installations analyses the complexity of nature and its relationship with mankind. Her new work, Gorillagorillagorilla is a study of human and animal behavior and the artist's further investigation of the medium of video as an image production tool. The pictorial section comprises both installation shots from the Kunsthaus Graz and a photographic essay by Diana Thater with pictorial material generated during the filming of Gorillagorillagorilla in Cameroon.

Published by Walther König, 2009
Softcover, 168 pages with illustrations throughout
Dimensions: 11 x 8 3/4 inches (27.94 x 22.22 cm)
Text in English and German
Out of print
Condition: light scuffs, minor wear on bottom, otherwise clean flat copy

Diana Thater: Gorillagorillagorilla

Edited by Matt Keegan Designed by Su Barber
Equals #2 is a non-thematic arts publication contained in a box with a 96-page bound volume featuring artist-to-artist interviews, texts, and transcriptions. Six loose multiples are also included.
Contributors include: Sam Anderson, Uri Aran, Fia Backström, Darren Bader, Judith Barry, Stefania Bortolami, Daniel Bozhkov, Milano Chow, Anna Craycroft, Lucky DeBellevue, Cristina Delgado, Haytham El-Wardany, Jake Ewert, Vincent Fecteau, Corrine Fitzpatrick, Harrell Fletcher, Rachel Foullon, Aurélien Froment, Kenny Greenberg, Calla Henkel, Leslie Hewitt, Jaya Howey, Adelita Husni-Bey, Iman Issa, Ruba Katrib, Jill Magid, Jo Nigoghossian, Aaron Peck, Max Pitegoff, David Placek, Olivia Plender, Lisa Robertson, Andrew Russeth, Amy Sillman, Diane Simpson, Greg Parma Smith, Jessica Stockholder, Martine Syms, and Anicka Yi.
Published by Capricious Publishing, 2015 Dimensions of box 12 3/4 x 9 1/2 Edition of 500 This publication is out of print Condition: New

Equals #2

Text by Ellen Landau

Charcoal Studies presents a series of figurative charcoals made by Lee Krasner (1908–84) from 1937 to 1940 under the tutelage of Hans Hofmann that would become seminal to the artist’s career. In 1977, Krasner demonstrated the relevance of these charcoal works in a brilliant late series of collage paintings in which she repurposed a large number of her Hofmann School drawings. Fortunately, Krasner did not destroy all the drawings. Fifty of these are included in her 1995 catalogue raisonné; another portfolio with 20 more (including four previously unknown still lifes) has recently come to light. Charcoals includes the never-before-published works as well as updated research and text to serve as a complete listing of all surviving Hofmann School charcoal sketches and as a definitive reference on this pivotal period within Krasner’s oeuvre.
Published by Kasmin Gallery, 2019 (first printing)
Softcover, 75 pages, illustrated throughout
Dimensions: 11 1/4 x 9 1/2 inches (28.57 x 24.13 cm)

Lee Krasner: Charcoals

Edited by Emily Wei Rales, Nora Severson Cafritz, Ali Nemerov Introduction by Emily Wei Rales

In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of—and respect for—the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist’s meticulous fabrication process. It also includes a conversation with—and text by—the artist and installation photography.
Published by Glenstone Museum, 2018
Hardcover, 52 pages
Dimensions: 12 x 10 inches (30.48 x 25.4 cm)

Charles Ray

Texts by Sarah Lehrer Graiwer, Travis Diehl, Jan Bryant, and Kimberli Meyer
The cover of this book is a gesture symptomatic of Connor’s approach; it is both oblique and intimate, and it demands we pay a different kind of attention to what is in front of us. It also signals a fascination with reproduction and documentation as a tactic to disrupt the processes of perception, and to bring things closer. The photograph is a portrait of Alex North, a photographer, a friend of Fiona’s, taken by his mother, also a photographer. The title of the book is a phone number belonging to another of the artist’s friends and collaborators; one of the designers of this publication. It is placed under the artist’s own name, the direct dial of a colleague who is also an author of this project.
Published by June 20th, 2020 Softcover, 164 pages, illustrated throughout Dimensions: 11 1/4 x 9 inches (28.57 x 22.86 cm)

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