Albers in the promised land of abstract art" the little-known influence of Mexico "Mexico is truly the promised land of abstract art," Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers' abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and monuments during his 12 or more trips to Mexico and other Latin American countries between 1935 and 1968. On each visit, Albers took black-and-white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers' continued formal experimentation with geometry, this time accentuating a pre-Columbian aesthetic.
Josef Albers in Mexico brings together photographs, photo collages, prints and significant paintings from the Variants/Adobe (1946-66) and Homage to the Square (1950-76) series from the collections of the Solomon R. Guggenheim Museum and the Anni and Josef Albers Foundation. Two scholarly essays, an illustrated map and vivid color reproductions of paintings and works on paper illuminate this little-known period in the influential artist's practice.
Binding Type: Hardcover Author: Josef Albers, Lauren Hinkson (Author), Joaquin BarrÌendos (Text by (Art/Photo Books)) Published: 11/21/2017 Publisher: Guggenheim Museum ISBN: 9780892075362 Pages: 128 Weight: 2.50lbs Size: 13.00h x 9.50w x 0.80d

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Red Cap Cards' husband-and-wife founders Hal Mertz and Carrie Gifford curate their selection of stationary with an eye toward illustrators who bring unique perspectives and individual points-of-view, marrying visual storytelling with the written letter.
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In a world that feels increasingly more disconnected, it’s time to reclaim a life of rich, authentic connection—because we are all made better when we trust one another and work together.
There are a lot of books out there that promise you the path of least resistance or teach you how to hustle harder. This isn't one of those.
In his most vulnerable book to date, Chip Gaines shows us how to build relationships that pull us into a life of meaning, joy, and connection. It happens by being intentional about choosing the company we keep. Chip explains the value of seeking out people who are electrified by living according to their purpose, who will stand beside you as you tackle new challenges, who bet on each other instead of the status quo. The key is being true to yourself, figuring out what you want to do with your life, and finding people who will lift you up along the way.
No Pain, No Gaines will open your eyes to valuable lessons, including how to:

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A good life doesn't always come easy, but that's because the good stuff never does. It requires faith in people. It requires faith in yourself. It requires hope. And it requires a willingness to grow even when it hurts. In No Pain, No Gaines, through hard-won lessons and personal stories all told with his trademark blend of wit and wisdom, Chip Gaines will coach you on how to make your life rich and your relationships run deep.

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Influential artist Carson Ellis makes her solo picture-book debut with a whimsical tribute to the many possibilities of home. Home might be a house in the country, an apartment in the city, or even a shoe. Home may be on the road or the sea, in the realm of myth, or in the artist’s own studio. A meditation on the concept of home and a visual treat that invites many return visits, this loving look at the places where people live marks the picture-book debut of Carson Ellis, acclaimed illustrator of the Wildwood series and artist for the indie band the Decemberists.

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The Touch is a new collaboration between Nathan Williams of Kinfolk and Jonas Bjerre-Poulsen of Norm Architects that welcome readers into over 25 inspiring spaces where interior design is not only visually appealing but engages all of the human senses.
Through beautiful homes, hotels, museums, and retail stores--from contemporary designs by Ilse Crawford and Bijoy Jain to classic cases by Arne Jacobsen--readers are invited to explore how experiencing elements such as light, nature, materiality, color, and community can deliberately bring us back to our senses and imbue every day with a richer quality. In addition to stunning photography and interviews with design industry leaders as John Pawson and David Thulstrup, the book also details philosophical and art history references that reflect the tradition of design and color theory.
For a deeper understanding of the concepts explored, The Touch includes an appendix that profiles architects such as Lina Bo Bardi and Richard Neutra. Heritage design pieces that helped influence this movement are also listed in the book. The Touch--Spaces Designed for the Senses by Kinfolk & Norm Architects. Published by gestalten. Binding Type: Hardcover Author: Kinfolk, Norm Architects (Author), Gestalten (Editor) Published: 10/08/2019 Publisher: Gestalten ISBN: 9783899559781 Pages: 288 Weight: 4.70lbs Size: 13.20h x 9.80w x 1.40d

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Sama Alshaibi: Sand Rushes In, the first book by this rising artist, presents work from "Silsila," a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series.
Alshaibi's lyrical multimedia work explores the landscape of conflict: the ongoing competition for land, resources and power in West Asia and North Africa, and the internal battle for control. Additional material, selected from the artist's series "Negative's Capable Hands," "Collapse" and "Thowra," is presented in the context of "Silsila," meaning "chain" or "link" in Arabic. The desert, border and body are of the geopolitical issues and histories used by the artist, linking the Arab-speaking world. Alshaibi operates between the United States and West Asia/North Africa, with much of her work inspired by and shot on site in landscapes from the western Sahara of North Africa to the eastern Arabian Desert on the edges of Iraq-highlighting the contrast between desert and oasis. Binding Type: Hardcover Author: Sama Alshaibi, Sama Alshaibi (Author), Isabella Ellaheh Hughes (Editor) Published: 03/24/2015 Publisher: Aperture ISBN: 9781597113083 Pages: 112 Weight: 2.50lbs Size: 12.80h x 9.80w x 0.90d

Sama Alshaibi: Sand Rushes In

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This book explores the fusion of myth, history and geography which leads to ideas of primitivism, and looks at their construction, interpretation and consumption in Western culture. Contextualized by Susan Hiller's introductions to each section, discussions range from the origins of cultural colonialism to eurocentric ideas of primitive societies, including the use of primitive culture in constructing national identities, and the appropriation of primitivist imagery in modernist art. The result is a controversial critique of art theory, practice and politics, and a major enquiry into the history of primitivism and its implications for contemporary culture. Binding Type: Paperback Author: Susan Hiller Pages: 368

The Myth Of Primitivism

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This book is the first to bring together texts documenting the encounter between Western artists and writers and what has historically been called primitive art--the traditional, indigenous arts of Africa, Oceania, and North America. Beginning with the discovery of that art by European artists and writers early in the twentieth century, this anthology charts the evolving pictorial responses, artistic aspirations, aesthetic theories, and cultural debates that have developed from this encounter. Written by artists, literary figures, collectors, museum curators, and cultural critics, these essays--most of them never before translated or reprinted--show the dazzling range of issues elicited by the confrontation with primitive arts and cultures. Primitivism designates not a specific movement or group of artists, but a persuasive notion crucial to twentieth-century art and modern thinking generally. Because the encounter between the West and primitive art took place at the height of Western colonialism, a number of racial and political issues come into play, either overtly or implicitly, in writings about both the art and the people who produced it. The contributions to this volume speak to each other in provocative ways, giving a unique overview of those issues. Jack Flam provides an introduction to the book and brief outlines for each of its four sections. Also included are a coda of quotations from artists and critics from throughout the century; a chronology of events, exhibitions, and publications; an extensive bibliography; and over forty illustrations.
Jack Flam is Distinguished Professor of Art History at Brooklyn College and the Graduate Center of the City University of New York. He is the author of numerous books and articles on modern art and on African art. His recent works include Western Artists/African Art (1994), Matisse on Art (California, 1995), and Robert Smithson: The Collected Writings (California, 1996). Miriam Deutch is Associate Professor specializing in Art History at the Brooklyn College Library and author of Images from Columbia's Past 1865-1945 (1982).
Binding Type: Paperback Author: Jack Flam, Miriam Deutch (Editor) Pages: 508

Primitivism And Twentieth-century Art: A Documentary History

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Hardcore Carnivore is a protein-packed cookbook for meat lovers everywhere. From slow smoked barbecue ribs to perfect cowboy steaks, Jess Pryles's recipes are meaty winners. Including an intro section on the tricks of the trade and a collection of foundations and finishes at the end, this book will have you cooking meat like a seasoned pro. Australian by birth, Texan by choice, Jess Pryles is a professional Hardcore Carnivore and co-founder of the Australasian Barbecue Alliance. She's a cook, author and food personality, with a particular penchant for steak and bourbon.

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The critically acclaimed, indispensible illustrated monograph on Agnes Martin, published to accompany the major retrospective exhibition organized by the Tate and on view in 2016 at the Los Angeles County Museum of Art and the Guggenheim
This groundbreaking survey provides an in-depth account of Martin's artistic career, from lesser-known early experimental works through her striped and gridded grey paintings and use of color in various formats, to a group of her final pieces that reintroduce bold forms. A selection of drawings and watercolors and Martin's own writing are also included.
Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work--her life, relationship with other artists, the influence of South-Asian philosophy--alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre. Frances Morris places Martin's work in the art historical context of the time; art historian Richard Tobin analyzes Martin's painting The Islands; conservator Rachel Barker offers the reader a close viewing of Morning; curator Lena Fritsch provides a visual biography by comparing photographic portraits of Martin from different periods; and art historian Jacquelynn Baas delves into the spiritual and philosophical beliefs so present in Martin's art, including Platonism, Christian mysticism, Zen Buddhism and Taoism.
Agnes Martin was born in Maklin, Saskatchewan, Canada, in 1912, and moved to the US in 1932, studying at universities in Oregon, California, New Mexico and New York. She painted still lifes and portraits until the early 1950s, when she developed an abstract biomorphic style influenced by Abstract Expressionism. Her first one-woman exhibition was held at the Betty Parsons Gallery, New York, in 1958. Partly through close friendships with artists such as Ellsworth Kelly and Ad Reinhardt, Martin began to experiment with symmetrical compositions of rectangles or circles within a square, then from around 1960-61 to work with grids of delicate horizontal and vertical lines. She left New York in 1967, shortly after the death of Reinhardt, and moved to New Mexico, where she lived until her death in 2004.
Binding Type: Hardcover Author: Agnes Martin, Frances Morris (Editor), Tiffany Bell (Editor) Published: 07/28/2015 Publisher: Distributed Art Publishers (DAP) ISBN: 9781938922763 Pages: 272 Weight: 3.25lbs Size: 10.70h x 8.80w x 1.20d

Agnes Martin

Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mrou , Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida's Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbj rn R dland's images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso's recent Mao Zedong series; Brian Dillon on Dru Donovan's recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler's Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan's enduring images of Martha Graham, and Babette Mangolte's photographs of Trisha Brown's dance performances. Binding Type: Paperback Author: Aperture Published: 11/24/2015 Publisher: Aperture ISBN: 9781597113243 Pages: 128 Weight: 1.75lbs Size: 12.00h x 9.20w x 0.50d

Performance: Aperture 221

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