Los Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, including family photographs, found imagery, baseball cards, and other people's art - the ceramics of his wife, and pieces from the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.
Signed by the artist
Publisher: Phaidon, 2020 Paperback Dimensions: 11 3/8 x 9 7/8 inches 160 pages, 200 illustrations
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Edited by Estelle Zhong Mengual & Xavier Douroux
A school and cultural center shaped like a crayfish was commissioned by the Houma native tribe from Louisiana, built by architect Rudy Ricciotti under the New Patrons' Protocol.
Created by artist Francois Hers, this protocol offers everyone the means to commission a work of art, turning a privilege of the few into an opportunity for all.  Being a patron acquires a new significance, it is not about financing the making of a work of art, but about stating is raison d'etre.  This protocol has led to the creation of more than 300 art works throughout Europe.
Through articles by preeminent European and Anglo-Saxon thinkers and curators, it explores the artistic and political issues raised by these contemporary practices.  It reveals their common aspirations of inventing new ways for art to play a social role, to produce effects, to be part of peoples lives and puts to the test the belief that art can change life.
Texts by Dorian Astor, Vinciane Despret, Xavier Douroux, Patricia Falguieres, Boris Groys, Emilie Hache, Karin Harrasser, Alistair Hudson, Cameron Cartiere, Helmut Draxler, Francois Hers, Bruno Latour, Joseph Leo Koerner, Mary Jane Jacob, Frederic London, Malcolm Miles, Baptiste Morizot, Paul O'Neill, Julia Robertson, Margit Rosen, Isabelle Stengers, Nato Thompson and Estelle Zhong Mengual.
Published by Les Presses du Reel, 2017 Hardcover, 431 pages Dimensions: 9 3/4 x 6 1/4 inches (24.76 x 15.87 cm)

Reclaiming Art Reshaping Democracy

The first monograph on the artist’s work, Robert Rahway Zakanitch presents more than one hundred of his paintings from 1962 to 2014 and provides critical consideration in essays by David Pagel and John DeFazio. For over fifty years Zakanitch has shown his artwork in solo and group exhibitions around the world, all the while reflecting on the nature of painting.
Zakanitch's work is featured in the exhibition With Pleasure: Pattern and Decoration in American Art 1972-1985 at The Museum of Contemporary Art, October 27, 2019 - May 11, 2020.

Hardcover Smyth-sewn casebound book, with jacket 180 pages with more than 104 full-color reproductions and 8 photographs 9½ x 11 in.

Robert Rahway Zakanitch

By Maurice Stein and Larry Miller Designed by Marshall Henrichs
Blueprint for Counter Education is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era. Originally published in 1970 and integrated into the design of the Critical Studies curriculum at CalArts, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process-based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices—from the avant-gardes to postmodernism—with Marcuse and McLuhan serving as points of anchorage.
Accompanying this new facsimile edition of the book, posters, and slipcase is a 80-page book featuring a conversation with the original Blueprint authors Maurice Stein, Larry Miller, and designer Marshall Henrichs, as well as essays from Jeffrey Schnapp, Paul Cronin, and notes on the design by Adam Michaels of Project Projects.
Published by Inventory Press, 2016 2 softcover books and posters that are slipcased Dimensions 10 1/2 x 7 3/4 x 2 inches (26.67 x 19.68 x 5.08cm)

Blueprint For Counter Education

Off the coast of East Africa in the Indian Ocean sits an archipelago known as Zanzibar. It all started ten million years ago when the island of Pemba separated from mainland Africa and then ten thousand years ago, the island of Unguja followed suit. Thus, begins the legend of Zanzibar. For centuries, Zanzibar has been the haven and gateway for explorers including Richard Burton and David Livingstone to penetrate the unknown African Continent. Forward to present day, and it is still possible to experience the unique wildlife whether that is by scuba diving off the coast of a private island, infinite lagoons, visiting mangroves or endemic wild forests; getting lost and immersing yourself into the historical labyrinthine streets of Stonetown. This cluster of islands is at a crossroads of cultures, featuring Omani architecture, Portuguese and British heritages as well as Swahili rituals. Photographer Aline Coquelle shares an intimate portrait of a community bursting with life. With original photography, a disappearing, indigenous culture is preserved and celebrated. This volume invites the reader to experience the paradise that is Zanzibar.
Item Weight : 6.45 pounds Hardcover : 260 pages Dimensions : 10" W x 13" H Publisher : Assouline Publishing (April 1, 2020) Language: : English

Your source for the new bohemian home. Made ethically by artisans around the world working in traditional crafts.

St. Frank

Zanzibar

Aperture ‘s “Los Angeles” issue explores how one of America’s most photographed cities is also an essential hub for some of today’s most important photography and photo-based art. Part of an ongoing series of issues that profile the photographic culture of a particular city, “Los Angeles” features key figures in the city’s photography community. Brand-new portfolios highlight Los Angeles’s unique conceptual traditions and, in some cases, consider the city as a studio. Including contributions by Janna Ireland, Carter Mull, Torbjørn Rødland, Guadalupe Rosales, Catherine Opie, Paul Mpagi Sepuya, and Lise Sarfati, “Los Angeles” captures the city’s historic and contemporary photographic vibrancy through enduring visual records of its landscape and communities.

Aperture Magazine #232 Los Angeles

Turn simple foods into beautiful boards with more than 100 easy recipes and ideas. In On Boards, food stylist Lisa Bolton has put together 50 ideas for instantly approachable boards, all with effortless entertaining in mind, as well as 52 recipes for delectable savory and sweet additions. All of the boards can be pulled together in very little time, and all include presentation and styling tips to make them (and you!) shine. Lisa also shows you how to style any assortment of food into a beautiful board so you can transform whatever is in your fridge and pantry! STYLE #: BOOK204

Woodstock, Vermont based artisanal potters offer unique one-of-a-kind handmade pottery, décor, candles, lotions, bakeware, gifts and more.

Farmhouse Pottery

On Boards Book

By Ferran Adria
A new edition of the iconic chef's globally bestselling home-cooking book, published on the 10th anniversary of its first release.
What does Ferran Adrià eat for dinner — and how did he feed the hard-working staff at his fabled elBulli, the first 'destination restaurant', nestled on the Mediterranean coast north of Barcelona? The Family Meal features a month's worth of three-course menus created for and by Ferran and his team — meals that nourished and energized them for each evening's service. It's the first — and only — book of everyday recipes by the world's most influential chef, now with a brand-new foreword by Ferran himself.
Published by Phaidon Press, 2021 Hardcover 384 pages Dimensions: 11 3/4 x 8 1/2 inches (29.84 x 21.59 cm)

The Family Meal

Edited by Mia Locks. Foreword by Klaus Biesenbach. Text by Mia Locks, Samara Golden, Sarah Lehrer-Graiwer.
Los Angeles–based artist Samara Golden (born 1973) creates immersive installations that explore what she calls the sixth dimension, where a multitude of pasts, presents and futures exist concurrently. For The Flat Side of the Knife , curated by Mia Locks and organized by MoMA PS1, Golden presented her largest installation to date, filling the double height of MoMA PS1’s Duplex Gallery with staircases, beds, couches, lamps, musical instruments, video and sound. The Flat Side of the Knife combines physical spaces with illusory spaces that appear only in mirrors, akin to psychological and hallucinatory spaces in the mind. Her use of mirrors in conjunction with sculptural elements made from a silvery insulation board allows the illusion of space to expand in multiple directions. This catalog includes documentation of this exhibition alongside the artist’s major works to date.

Samara Golden: The Flat Side Of The Knife

In the late 1950s and throughout the 1960s, Kwame Brathwaite used his photography to popularize the political slogan “Black Is Beautiful.” This monograph—the first ever dedicated to Brathwaite’s remarkable career—tells the story of a key, but under-recognized, figure of the second Harlem Renaissance.

Inspired by the writings of activist and black nationalist Marcus Garvey, Brathwaite, along with his older brother, Elombe Brath, founded the African Jazz Arts Society and Studios (AJASS) and the Grandassa Models (1962). AJASS was a collective of artists, playwrights, designers, and dancers; Grandassa Models was a modeling agency for black women, founded to challenge white beauty standards. From stunning studio portraits of the Grandassa Models to behind-the-scenes images of Harlem’s artistic community, including Max Roach, Abbey Lincoln, and Miles Davis, this book offers a long-overdue exploration of Brathwaite’s life and work.
Hardcover with Jacket 8 1/2  x 10 1/2 inches (21.6 x 27 cm) 144 pages Published by Aperture

Kwame Brathwaite: Black Is Beautiful

By Camille Morineau and Lucia Pesapane
Two notions intersect in the Women House exhibition in Paris (2017) and Washington (2018): a gender (female) and a space (the domestic sphere). The exhibition and this book reflect the complexity of possible points of view on the subject, which are not only feminist but also poetic and nostalgic. Women artists turn the house inside out: a symbol of isolation becomes a symbol of the construction of identity, the intimate becomes political, private space becomes public space and the body turns into a piece of architecture. According to different contexts and generations of artists, the house becomes a body-house, a homeland-house or even a world house. With works by, among others, Helena Almeida, Monica Bonvicini, Louise Bourgeois, Heidi Bucher, Lili Dujourie, Mona Hatoum, Zanele Muholi, Lucy Orta, Martha Rosler, Cindy Sherman, Laurie Simmons, Valie Export and Rachel Whiteread.

Published by Manuella Editions, 2018 Hardcover, 208 pages with color and black & white images throughout Dimensions: 12 1/4 x 9 1/2 inches (31.11 x 24.13 cm)

Women House

Peter Jenny is professor emeritus and chair of visual design at the famous ETH Zurich in Switzerland.
Kitchen Art Studio is the fifth book in the series Learning To See, which are small primers on drawing.   The author focuses on symbolic and archetypal representations of people.
There are twenty-two playful exercises, broccoli becomes material for sculpture, a half-eaten cookie depicts a waning moon, cherry stems form captivating patterns and spoons inspire performance art.
Published by Princeton Architectural Press, 2012 (english edition)
Paperback, 215 pages
Dimensions: 5 3/4 x 4 inches (14.60 x 10.16 cm)

Learning To See: The Kitchen Art Studio

Published on the occasion of the exhibition at CAPC, Bordeaux, from May to September 2010.
Jim Shaw began the series of monumental paintings entitled Left Behind in 2004, when George Bush's re-election bid was in full swing. As well as being an immense tribute to painting and culture in general, this ambitious work is above all a critical diatribe against simplistic, one-dimensional discourse and the standard, reassuring rhetoric Jim Shaw sees as being conveyed in political posturing, the media, and advertising.
Portfolio consists of 3 books Left Behind is the exhibition catalog, 96 pages, illustrated throughout References & Sources comprised of images & ephemera the artist has collected and is influential to the artists work. 175 pages, illustrated throughout Essays includes four essays by Charlotte Laubard, John Miller, Jim Shaw and John C. Welchman. 158 pages
Published by les presses du reel & CAPC, Bordeaux, 2012 Dimensions: 10 x 13 1/4 x 1 1 /4 inches English & French text 1,000 copies were published This title is out of print

Condition: light scuffs on box

Jim Shaw Left Behind

Essay by Vija Celmins
This volume catalogs Vija Celmins’ (born 1938) first new body of work since 2010, featuring paintings, drawings, prints and sculptures.
The Latvian-born, New York–based artist has been rendering nature imagery from black-and-white photographic sources since the 1960s, exploring the same subjects repeatedly in paintings, drawings and prints. Here, she focuses on two motifs she has employed for several decades: the ocean’s surface and the night sky. The imagery, however, is not her foremost concern: “The recognizable image is just one element to consider. The paintings seem more a record of my grappling with how to transform that image into a painting and make it alive.” This process can be seen in A Painting in Six Parts (1986–87/2012–16), a group of six oil paintings based on a photograph she took 50 years ago from a pier in Venice, California.
Published by Matthew Marks Gallery, 2018 Hardcover,  138 pages, fully illustrated Dimensions: 10 1/2 x 9 1/4 inches (26.67 x 23.49 cm)

Vija Celmins

Edited by Lionel Bovier. Text by Diedrich Diederichsen, Elisabeth Lebovici, Jacob Proctor, Dorothea Strauss.
Mai-Thu Perret's earliest project was The Crystal Frontier, comprised of writings and objects that describe the lives of a group of women living in a utopian commune in the New Mexico desert. This volume surveys the artist's utopia-themed oeuvre, which often draws on the political aspirations of the modernist avant garde.

JRP/ Ringier, 2012
Softcover, 160 pages with 100 color images
Dimensions: 9 1/4 x 11 1/4 inches (23.49 x 28. 57 cm)

Mai-thu Perret

Edited by Olaf Stüber, Anton Stüber.
Eighty renowned video artists reveal their favorite recipes Collecting personal recipes from some of today's most important video artists, this book includes contributions from Douglas Gordon, Harun Forocki, Ed Atkins, Keren Cytter, Anri Sala and Omer Fast.

Published by Kerber, 2021
Hardcover, 256 pages with 247 color and 48 black & white images
Dimensions: 10 1/2 x 9 inches (26.67 x 22.86 cm)

The Videoart At Midnight Artists' Cookbook: Eighty Artists/ Eighty Dishes

Edited by Caitlin Julia Rubin. Foreword by Luis A. Croquer. Text by John Gordon, Jennifer Wulffson Bedford, Jennie C. Jones
In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
Published by Inventory Press & The Rose Art Museum, 2019 Softcover 88 pages, heavily illustrated Dimensions: 9 x 7 1/4 inches (22.86 x 18.41 cm)

Louise Nevelson: I Must Recompose The Enviroment

Robert Kudielka, Alexandra Tommasini, Natalia Naish

This landmark publication brings together for the first time all of Bridget Riley’s known paintings, including well over 650 works ranging from the late 1940s to 2017. Each painting is illustrated with a full-page colour image, many of which have been sourced from the artist’s extensive archive and rarely published. Drawing on archival research and expert knowledge, the publication includes an introductory essay, explanation of materials and methods, extended exhibition history, biographical information and explanatory notes. The publication benefits from the remarkable input of Bridget Riley herself, who has been present at every stage of the project and has provided first-hand information about her work and exhibition and sales history.

Publisher: Thames & Hudson, 2018 Dimensions: 14 x 10 1/2 x 10 1/2 inches 5 hardback volumes in a slipcase 1,849 pages Fully illustrated

Bridget Riley: The Complete Paintings

RANDY is a 300-plus page full color anthology of RANDY zines spanning 2010-2013. Initiated by artist A.K. Burns and publisher Sophie Morner, RANDY was a fearless celebration of queer/feminist arts.
Contains over 100 interviews, conversations and projects including work by:
Niv Acosta, Jess Arndt, Meriem Bennani, Sadie Benning, Elizabeth Bethea, Ramdasha Bikceem, Cass Bird, Dana Bishop-Root, Pauline Boudry, boychild, Kathe Burkhart, Nao Bustamante, Jibz Cameron, Silvia Casalino, Christelle de Castro, Leidy Churchman, Jon Davies, Hayden Dunham, Celeste Dupuy-Spencer, Nicole Eisenman, Edie Fake, Corrine Fitzpatrick, Daphne Fitzpatrick, Shannon Funchess, Mariah Garnett, Luke Gilford, Julia Gillard, Jules Gimbrone, Reina Gossett, Goodyn Green, Gordon Hall, Harmony Hammond, Onya Hogan-Finlay, Emily Hope, Katherine Hubbard, Amber Ibarreche, Mariana Juliano, Stanya Kahn, Sarah Forbes Keough, Pozsi B Kolor, Adam Krause, Lisa Lenarz, Katerina Llanes, Amos Mac, Lee Maida, India Salvor Menuez, Lessa Millet, MPA, Ulrike Müller, Sheila Pepe, Litia Perta, Cassie Peterson, Isaac Preiss, R.H Quaytman, Jen Rosenblit, Colin Self, Mel Shimkovitz, Amy Sillman, Tuesday Smillie, Jazmin Venus Soto, Matthew Stone, Ginger Brooks Takahashi, Lanka Tattersall, Wu Tsang, Scott Valentine, Leilah Weinraub, Hanna Wilde, Martha Wilson, Io Tillett Wright, Geo Wyeth, Yes! Association/Föreningen Ja!

OTHERWILD GOODS & SERVICES is a hybrid retail store and graphic design studio in Los Angeles, CA and New York, NY dedicated to design in it's many facets.

OTHERWILD

Randy 2010-2013

Meet Andy Warhol — Little Andy was the tiniest and palest child of the Warholas, a humble couple from Slovakia who lived in Pittsburgh. Sketchbook glued to his hand, he loved every minute of drawing, but he was too shy to show his work to others, even to his family! As an adult he got a chance to publish his first illustration for a glamorous magazine. He turned his attention to the ordinary, like soup cans he ate from for lunch every day. He showed the world that the ordinary objects could POP, and founded a cultural movement.
This moving book features stylish and quirky illustrations and extra facts at the back , including a biographical timeline with historical photos and a detailed profile of the inspiring artist's life.

A curated collection for life lived in the in-between.

Happily Grey

Andy Warhol Book

Rosa Parks Book

Ranging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies. Crocodile highlights the artist’s investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols. Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting.
Edited by Lauren Cornell, Karen Kelly, and Barbara Schroeder. Text by Ruba Katrib, Alex Kitnik, and Arnisa Zeqo. Interview by Lauren Cornell. Design by Tiffany Malakooti Copublished with CCS Bard 144 pages, 95 illustrations

Leidy Churchman: Crocodile

New York–based artist Ulrike Müller uses abstraction as an idiom that can be figuratively appropriated, emotionally charged and politically connotative. In addition to exploring her art in varied mediums, this book features the artist’s readings of other artworks that relate to her interest in the vocabularies of abstraction and the rendering of bodies.

Ulrike Müller: Always, Always, Others

Author: Sylvan Oswald

Artist: Jessica Fleischmann Designer: Jessica Fleischmann / still room
How does sleep—or its absence—change us? At the end of another wakeful night, High Winds tears off on a hallucinatory road trip in search of his estranged half brother, led by cryptic signs and coincidences. Part modern-day pillow book, part picture book for adults, and told in an associative, elliptical style, the narrative takes readers deep into a dreamlike Western landscape. Jessica Fleischmann’s atmospheric imagery amplifies the words on every page, referencing 1980s graphics, net art, and something yet unseen; Sylvan Oswald’s text inhabits and draws meaning from this visual environment. Gas stations, local legends, and unlikely rock formations become terrain for explorations of fear, fantasy, masculinity, medication, spatial structures, and bodily functions—inspired by the author’s experience of gender transition, insomnia, and moving to Los Angeles. Poetic and funny, surreal and beautiful— High Winds makes a delightful companion, before or instead of a good night’s sleep.

5 ½ × 7 inches, 254 pages, paperback with flaps
—
Sylvan Oswald is an interdisciplinary artist based in Los Angeles who creates plays, texts, publications, and video. His work explores the ways we forge our individual and national identities.
Jessica Fleischmann is an award-winning graphic designer and creative director whose work on socially conscious projects engages built and unbuilt spaces.
still room is the Los Angeles-based graphic design studio of Jessica Fleischmann with Dorothy Lin and Jenny Kim, focused on socially engaged and interdisciplinary design work.

High Winds

ONE National Gay & Lesbian Archives in collaboration with Artist Curated Projects (ACP) presents Stand Close, It’s Shorter Than You Think: A show on feminist rage, co-curated by Katherine Brewer Ball and RJ Messineo with work by boychild, RJ Messineo, MPA and Guadalupe Rosales. The exhibition explores the promises and pitfalls of thinking with rage as a meditation, an inspiration, a medium, and a process.
In the 1960′s and 1970′s the United States became keenly aware of itself as a domestically violent space—from the death of Martin Luther King Jr., to the Watts Riots, to the Vietnam War. This public awareness coincided with the increasing momentum of second wave feminism and other radical public protest movements. But as “militant” organizations like The Black Panthers articulated, this violence did not originate from the left, but was a reaction to larger social structures that, in their refusal of social services for example, were already enacting violence on the poor, women, and people of color. As Pamela Haag explains, feminism “questioned not whether, but how violence would happen, how the body would be (ab)used or subjectivity compromised.” If this violence against marginalized bodies is inevitable, what are the most powerful stances from which we might confront its wide unending reach?
Rage is both a re-action and an action. It is felt in response to unequal power-dynamics such as sexism, transphobia, homophobia, and racism and the accumulation of these insults over time, lifetimes, and generations. Examining the way rage shapes and is expressed in the work of contemporary queer and feminist artists, Stand Close brings together the products and the process of rage. The work in the show ranges from the more direct visual semiotics of unrest in the performance work of MPA and boychild, to abstract meditations on power and loss in the drawing and painting works of RJ Messineo and Guadalupe Rosales. boychild’s performances—which employ costume, disguise, and changeability— are archived in traces across the internet referencing the in-between forms of queer cultural production and nightlife. RJ Messineo’s body-sized abstract assembled paintings raise questions about authorship and legibility as they play on what it means to make a mark. MPA’s collection of documents from her performances and her installation in the archive propose experiments in direct action, in meditation, and in the speculative alterations of power and framing. Guadalupe Rosales’ photographs, sculptures and meticulous hand-drawn geometric shapes limn relationships between mourning and rage in the return home.

Stand Close is curated by Katherine Brewer Ball and RJ Messineo as part of Artist Curated Projects (ACP) at ONE National Gay & Lesbian Archives. Support for the exhibition Stand Close is provided by the independent 501-c3 ONE Archives. Support for the exhibition publication is provided by the USC Libraries. Publication designed by Rachel Berks / Otherwild.

Stand Close, It's Shorter Than You Think

With contributions by Diedrich Diederichsen, Suzanne Hudson, Glenn Ligon, and Eileen Myles Design by Joseph Logan Copublished with Ridinghouse, London

In the two related bodies of work that form this volume’s centerpiece, Zoe Leonard poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations sited in the United States and Europe, the artist has employed the principal of the camera obscura, pairing it with silver-gelatin photographs of the sun. The image in Leonard’s room-size camera obscuras is immersive and continuous, shifting constantly in response to the fleeting light of the outside world and unraveling in the surrounding space to come into its full vibrancy. This title explores this body of work in depth through photographs that document these installations in five international cities.

Zoe Leonard: Available Light

Brodie: our correspondent in the field, a man well-equipped with sails to utilize any gust that comes his way, a slippery critter. He is a hard one to track, and that is the way he likes it. For this book, Brodie finds himself in the remote world of Western OZ (north of Perth, and then some). The man was set up in a tent, serving ceviche, and scoring perfect, uncrowded waves. Along the way, Brodie met some cherished characters and took a bunch of photos, as he is one to do. Here is Hooroo.

8.5" x 6.5"
104 pages
Linen Hardcover
Printed in Berkeley
Published by Hooroo Publications
$10 of every sale is donated to bush fire relief

A surfing institution based in San Francisco, Silver Lake and Venice Beach.

Mollusk Surf Shop

Hooroo

Host is a modern guide to eating, drinking and entertaining from W&P Design co-founders Eric Prum and Josh Williams. From intimate weeknight dinners to festive large-scale gatherings, Eric and Josh show how to be a better host with inspired-yet-approachable recipes and advice for creating delicious meals and unforgettable experiences all with an eye towards how people eat and drink in today's urban centers.

Author: Eric Prum and Josh Williams
Publisher: Dovetail
240 Pages
Premium hardcover

Size: 8.5 in. x 10.5 in.
Production Time: Please allow up to 3-5 business days before item is shipped.

Discover well-lived goods for the slower, more thoughtful home.

Kaufmann Mercantile

Host: A Modern Guide To Eating, Drinking, And Feeding Your Friends By Eric Prum And Josh Williams

Document Series #1 6 x 8.25 in. 80 pp., b/w and color illustrations First edition Edition of 400 Printed in Michigan
Mariana Valencia’s solo performance ALBUM assembles song, text, and dance into a multifaceted album that draws from choreographic methodology, personal narrative, herstorical and intergenerational kinship, and popular culture. The first title in Wendy’s Subway’s Document Series, ALBUM expands on Valencia’s performance to include her spoken script in its entirety alongside choreographic descriptions and new annotations, original song lyrics, diagrams, drawings, and visual representation. Navigating childhood memory, mourning, framily, and vampires through factual, humorous, and grave observations, Valencia archives and performs a self herstory as an album in image and song.
The Document Series highlights the work of performance- and dance-makers in printed form.
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Mariana Valencia is a dance artist based in Brooklyn, New York. Her work has been presented at Danspace Project, Roulette, the Center for Performance Research, The New Museum, The Women and Performance Journal, the Portland Institute for Contemporary Art, the Hirshhorn Museum and Sculpture Garden, and AUNTS. Internationally, her work has been presented in Serbia and Macedonia. As a performer, Valencia has worked with Lydia Okrent, Jules Gimbrone, Elizabeth Orr, Kate Brandt, AK Burns, Em Rooney, robbinschilds, Kim Brandt, Fia Backstrom and MPA. Valencia is a Bessie Award recipient for Outstanding Breakout Choreographer (2018), a Foundation for Contemporary Arts Award to Artists grant recipient (2018), a Jerome Travel and Study Grant fellow (2014-15), a Yellow House Fund of the Tides Foundation grant recipient (2010-13) and a Movement Research GPS/Global Practice Sharing artist (2016/17). She is a founding member of the No Total reading group (2012-2015) and she has been the co-editor of Movement Research’s Critical Correspondence (2016-17). Valencia has held residencies at Chez Bushwick (2013), New York Live Arts Studio Series (2013-14), ISSUE Project Room (2015), Brooklyn Arts Exchange (2016-18) and the Portland Institute for Contemporary Art (2018). Valencia holds a BA from Hampshire College in Amherst, MA (2006) with a concentration in dance and ethnography.

Album By Mariana Valencia

THE BEST GIFT FOR ANYONE IS A GIFT CERTIFICATE TO OTHERWILD!

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Gift Certificate: Otherwild

Denomination

Softcover publication by Anna Sew Hoy featuring five poems by Ariana Reines. Features full-color photographs and a fold-out poster.

Anna Sew Hoy: Blood Moon Proposition

This book is based on a lecture originally presented at Dia Art Foundation’s Artists on Artists Lecture Series, , New York, on November 27, 2018. This text was read alongside a performative slideshow, and is considered an artwork by A.K. Burns.

Digitally-printed book, copper foil stamp, perfect bound, 32 pages, 8 1/2 x 5 1/2 inches, edition of 400

Zero: A.k. Burns On Nancy Holt

Puro Silencio is a collection of poems by queer chicanx artist Marcel Alcalá. The publication also features photographs by Marcel Alcalá, Parker Bright, David Josef Tamargo, Birk Høgsted Thomassen & Camille McOuat. This is the first book released by Marcel Alcalá. - GenderFail

Puro Silencio By Marcel Alcalá

Rachelle Rojany’s Yearsbooks is a series of artist books that reflect on the medieval illuminated manuscript, in particular, the devotional book of hours. Wedded to the high-school yearbook, a present-day record and commemoration of time, the Yearsbooks illuminate memory’s restlessness, porousness, and its relationship to self-understanding. The first in the series, at 81⁄2 x 11 inches and one-half inch thick, is a bound, yellow- spined collection of 76 favorite pictures faded to 10% opacity. Personal pictures of work, family and friends are interwoven with images culled from Rojany’s research, creating a dream-like narrative. What emerges over the pages is a loose impression of Rojany’s presence, like the lines of Sappho’s poetry discovered wrapped around an Egyptian mummy.
The Yearsbooks provide a new format for creating visual autobiography, full of jumped tracks, crossed synapses, memory and fantasy. Readers are encouraged to use the book as a notebook, writing and sketching on top of its faded pages. Like a computer’s desktop image, those pages become a backdrop to the reader’s working memory. Rojany’s self-portrait recedes underthe jotted notes and sketches of the reader, entangling authorship, background, and foreground.
Informed by the river of ever-present time in Herman Hesse’s Siddhartha, the Yearsbooks address the permeability of self and the impossibility of seizing time. It is a prayer for interwoven existence inspired by Thich Nhat Hanh’s conception of “inter-being,” simply that all of the material world is interconnected.

Yearbooks By Rachelle Rojany's

Published in conjunction with Ulrike Müller’s contribution for the 12th International Cairo Biennale (2010), this book takes as its subjects the drawings, paintings, and quilts the artist has produced since 2006, from the Curiosity drawings, which mark the beginning of Müller's engagement with modernism’s visual strategies, to Franza, her latest group of enamel paintings developed for the Cairo Biennale. Transcending conventional binaries, such as the division of abstract forms and representational logic, these works charge seemingly neutral abstract and diagrammatic imagery with psychology and sexual politics. Shaped by her understandings of feminist art and institutional critique, they rekindle the avant-garde desire to tie aesthetic production to a tangible, concrete experience of life.
104 pages, 102 color images ISBN 978-0-9853377-0-4
Dancing Foxes Press, Brooklyn, NY

Ulrike Müller: Franza, Fever 103, And Quilts

On display at LA>
The exhibition catalogue, designed by Rachel Berks, features images of all arworks in the exhibition, an essay by Catherine Damman and a conversation between Samantha Thomas and Jarrett Gregory.

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