By Thomas Houseago with contributions from Rudi Fuchs and Lisa Le Feuvre
Published on the occasion of the exhibition "Thomas Houseago: What Went Down" at the Modern Art Oxford and Ashmolean Museum of Art and Archaeology. This exhibition is the first major UK museum exhibition of the artists work and spans 15 years of work.  Thomas Houseagos' work is represented in the collection of MOCA.  The cover was printed in three different colors and is printed on linen.  We have a pink cover available to sell.
Published by Modern Art Oxford and Lund Humphries, 2011 Dimensions 9 3/5 x 13 1/2 inches 240 pages and fully illustrated This catalogue is out of print

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MOCA | The Museum of Contemporary Art

Thomas Houseago: What Went Down Exhibition Catalogue

Title

Books

Taryn Simon: A Living Man Declared Dead and Other Chapters I-XVIII, on view from October 21, 2012 to January 7, 2013.

Taryn Simon continues to work on the borderline between fine art and documentary photography. Frequently relying on text to avoid any ambiguities in content, she applies methods of advertising photography to journalism, creating carefully staged and manipulated tableaux that gain their force from the friction between their visual perfection and the unsettling subject matter.
Mono.Kultur is a Berlin based interview magazine from Berlin that deals with art and culture.  Each issue features one artist.  Mono.Kultur 15 features the work of Taryn Simon.  Included in this issue is a reprint of Mono.Editionen #03 which is 10 Plates from A Living Man Declared Dead and Other Chapters, which also includes an eight page addendum.

Publisher: Mono.Kulture
Softcover, enclosed in glassine envelope/ 8" x 6"/ 32 pages, 8 page addendum, 10 color plates
This publication is out of print

Taryn Simon: Kaleidoscope Of Entropy (mono.kultur #15)

Edited with text by Emily Liebert. Foreword by Deborah Cullen. Text by Huey Copeland, Malik Gaines, Alexandro Segade, Henry Sayre. Interview by Emily Liebert.
From 1972 to 1991, Eleanor Antin (born 1935) created multiple personae of different genders, races, professions, historical contexts and geographic locations. The artist called this motley group--which includes a deposed king, an exiled film director, ambitious ballerinas and hard-working nurses--her "selves." The selves’ manifestations were as diverse as their stories: some were embodied by Antin and captured in photographs and on video; others had paper doll surrogates; at times their existence was known only through the drawings, texts and films they had ostensibly left behind. As she explored the fleeting nature of the self, Antin used fiction, fantasy and theatricality to examine the ways that history takes shape, scrutinizing the role that visual representation plays in that process. Multiple Occupancy: Eleanor Antin’s "Selves" is the first project to focus exclusively on this critical body of work.

Published by The Miriam and Ira D. Wallach Art Gallery, Columbia University, 2014
Softcover 128 pages with 59 color and 12 black & white images
Dimensions: 9 3/4 x 7 1/2 inches (24.76 x 19.05 cm)

Multiple Occupancy: Eleanor Antin's "selves"

This artist book was created by Laura Owens to document her exhibition, Ten Paintings. The 2016 exhibition was held at the CCA Wattis Institute in San Francisco.

Publisher: Gavin Brown's Enterprise, 2018 Dimensions: 12 x 9 inches Paperback 138 pages Three over-sized bookmarks included Edition of 1500 This catalogue is out of print

Laura Owens: Ten Paintings

Edited by Thea Liberty Nichols, Ann Goldstein, Mark Pascale with contributions from Tyler Blackwell, Richard Hull, Lydia Mullen, Laura Owens and Antonia Pocock
This generously illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group’s six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who’s idiosyncratic place within the cultural and political context of its time and place. Insightful essays examine the distinctive features of the Hairy Who’s art and collaboration, explain how the group’s work diverges from contemporaneous movements such as Pop and Funk, and provide biographical information on the artists themselves. Contributions from acclaimed contemporary artists Richard Hull and Laura Owens reflect on the Hairy Who’s sources and influence, exploring how the group remains relevant in today’s art world in significant and unexpected ways.
Published by Art Institute of Chicago, 2018 Hardcover with 256 pages Dimensions: 11 3/4 x 8 1/4 inches (27.30 x 20.95 cm)

Hairy Who? 1966–1969

Edited by Carolina Nitsch. Essays by Carol Squiers and Laurie Simmons.
Laurie Simmons has been dealing with issues from In and Around the House since the mid-1970s. Her seminal early work was some of the first to use set-up photography to create images with intensely psychological subtexts and forcefully feminist content. The 1950s-style constructed interiors used dolls, dollhouse furnishings, miniature props, postcards, interior decoration books, pamphlets and magazines to create images that questioned female stereotypes and American clichés with humor and charm. Published by Carolina Nitsch Editions, 2003 Hardcover, 104 pages. Dimensions: 9 3/4 x 11 1/2 inches (24.76 x 29.21 cm)

Laurie Simmons: In And Around The House

Noise was a french art magazine.  Issue 10 features the works of Jacqueline Risset, Annik Blyau,d rawings by George Jeanclos, essays and poems by Stéphane Mallarmé,Lithographs by Pierre Nivollet and Pierre Buraglio
Pubished by Maeght Editeur, 1989 Language: French Soft cover, 50 pages Illustrated throughout Out of print, condition is good, some fading on the cover

Noise 10

A stunning cookbook from Marge Manzke, pastry chef of Los Angeles hotspot Republique. From brioche and bread baking to cookie dough and other sweet treats, Baking at Republique is the ideal companion to the serious home baker.

Ceramic dinnerware handcrafted in Sausalito, CA. Heath Tile and our well-crafted work bags, organizers, and accessories, are made in San Francisco, CA. Handmade furniture, artisanal rugs, wallpaper, and objects for the home, including our collaboration with Artek. Beautifully designed for cooking and dining.

Heath Ceramics

Baking At Republique

Text by Katy Siegel, Kelly Baum, Jack Whitten, Richard Shiff, Kwame Anthony Appiah, Kellie Jones. Interview with Courtney Martin.
Jack Whitten was one of the most important artists of his generation. His paintings range from figurative work addressing civil rights in the 1960s to groundbreaking experimentation with abstraction in the '70s, '80s and '90s to recent work memorializing black historical figures such as James Baldwin and W.E.B. Du Bois.
Whitten began carving wood in the 1960s in order to understand African sculpture, both aesthetically and in terms of his own identity as an African American, and continued developing this practice throughout his life. For the first time ever, these revelatory works are collected in Odyssey, accompanying a landmark exhibition coorganized by the Baltimore Museum of Art and the Metropolitan Museum of Art.
Odyssey features the sculptures made by Whitten over the past 50 years, as well as the Black Monolith series of paintings, and Whitten's own archival photographs documenting his life and process. The catalog includes major new texts from exhibition curators Katy Siegel and Kelly Baum, as well as contributions from philosopher Kwame Anthony Appiah, art historians Richard Shiff and Kellie Jones, a lengthy biographical interview with Whitten by art historian Courtney J. Martin and the essay "Why Do I Carve Wood?" by the artist himself.
Published by Gregory R. Miller & Co, 2018 Hardcover, 192 pages with 161 color images Dimensions 9 1/2 x 11 1/2 inches (24.13 x 29.21 cm)

Jack Whitten Odyssey Sculpture 1963–2017

The ultimate gift for gardeners and art-lovers, featuring 300 of the most beautiful and pioneering botanical images ever.
Following in the footsteps of the international bestseller Map: Exploring the World, this fresh and visually stunning survey celebrates the extraordinary beauty and diversity of plants. It combines photographs and cutting-edge micrograph scans with watercolours, drawings, and prints to bring this universally popular and captivating subject vividly to life. Carefully selected by an international panel of experts and arranged in a uniquely structured sequence to highlight thought-provoking contrasts and similarities, this stunning compilation of botanically themed images includes iconic work by celebrated artists, photographers, scientists, and botanical illustrators, as well as rare and previously unpublished images.
Published by Phaidon Press, 2016 Hardcover, 352 pages, illustrated throughout Dimension 11 3/4 x 10 1/4 x 1 1/2 inches (29.84 x 26.03 x 3.81 cm)

Plant: Exploring The Botanical World

A French master fromager shares over 30 years of expertise in selecting, storing, and serving cheese - from Abondance to Valençay.

There are many books about cheese, but this one features the professional knowledge and passion of a French master fromager who shares his expertise on making sense of the many cheese varieties--crumbly, creamy, buttery, moldy--for which France is famous. From farms in the pastoral French countryside and cheese caves in a medieval Alpine monastery to the dairy scientists and affineurs who comprise the world of modern French cheese, no other book that covers the entire cheese spectrum.
STYLE #: BOOK213

Woodstock, Vermont based artisanal potters offer unique one-of-a-kind handmade pottery, décor, candles, lotions, bakeware, gifts and more.

Farmhouse Pottery

Fromages: An Expert's Guide To French Cheese

ABCDEFGHIJKLMNOPQRSTUVWXYZ Features 68 turn-of-phrase compositions by poet-artist Jeremy Sigler: concise, titilating, quotidian, sexy, and psychological. Publisher: Kingsboro Press co-published with For The Common Good, 2014 Dimensions: 8.75 x 6 inches, 68 pages Edition of 350

Jeremy Sigler

With a conversation between Jasper Johns and Terry Winters
This monograph reproduces sculptures and works on paper completed over the last five years by Jasper Johns (born 1930), who in February 2011 became the first visual artist to receive a Presidential Medal of Honor since 1977. The sculptures, cast in bronze, aluminum and silver from wax originals, feature Johns’ signature number grid and the impressions of various objects and textures, such as choreographer Merce Cunningham’s foot. The recent works on paper include a series of drawings and prints based on three small works Johns made early in 2010 on Shrinky Dinks (a plastic made for children to draw on, which shrinks when heated). Color plates are accompanied by a conversation between Johns and fellow artist Terry Winters, which takes Johns’ newest works as the starting point for a broader discussion of his artistic practice.
Published by Matthew Marks Gallery, 2012 1st edition Hardcover with 160 pages Dimensions: 10 3/4 x 10 inches (27.30 x 25.4 cm) This title is out of print Condition: very good

Jasper Johns: New Scultpure And Works On Paper

Authors: Julia Bryan-Wilson, Jeannine Tang & Lanka Tattersall
The first comprehensive publication to capture Hayes's unique blend of performance and social engagement which has been at the forefront of questions of feminist history, queer time, and protest culture for over a decade
American artist Sharon Hayes uses photography, film, video, sound, performance, and text to interrogate the intersections between the personal and collective sphere. Her deeply affective and queer approach to history and politics draws particular attention to the language of twentieth-century activism as well as drama, anthropology, and journalism.
This book is the first to feature all of Hayes's most significant projects, from the ten-hour performance My Fellow American 1981-1988 to her Monument Lab addressing the absence of monuments to women in Philadelphia.
Published by Phaidon Press, 2018 Paperback, 160 pages Dimensions: 10 x .63 x 11.5 inches
Signed by the artist

Sharon Hayes (contemporary Artist Series)

Written by Christopher Lyon
Nancy Spero created a defiant and joyful body of work whose importance is due both to its innovative graphic techniques and its engagement with fundamental aesthetic and social issues in gender.   The author draws on interviews with the artist and extensive research in her artistic archive. The monograph looks at sixty plus years of Speros' work.  Her work is in the collection of MOCA.
Published: Prestel, 1st edition 2010 Dimensions: 11.8 x 1.8 x 13.5 inches 340 pages, fully illustrated This monograph is out of print Condition: New

Nancy Spero: The Work

In nineteen thoughtful and engaging essays and stories, this book explores the ways in which cooking and eating connect us across cultural and political borders, making the case that we should think about cuisine as a collective human effort in which we all benefit from the movement of people, ingredients, and ideas.

You And I Eat The Same

By Harry Burke, Malik Gaines, Zoe Whitley, Stephanie Sparling Williams, Catherine Lord, Aruna D'Souza, Catherine Morris, Ann Pasternak, Lorraine O'Grady
Four decades of multimedia exploits in race, art politics and subjectivity: a long-overdue survey on conceptual performance artist Lorraine O’Grady.
Conceptual performance artist Lorraine O'Grady burst into the contemporary art world in 1980 dressed in a gown made of 180 pairs of white gloves and wielding a chrysanthemum-studded whip. For the next three years, O’Grady documented her exploits as this incendiary fictional persona, visiting gallery openings and providing critiques of the racial politics at play in the New York art scene. The resulting series, Mlle Bourgeoise Noire, was merely the beginning of a long career of avant-garde work that would continue to build upon O’Grady’s conceptions of self and subjectivity as seen from the perspective of a Black woman artist. This survey of O’Grady’s work spans four decades of her career and features nearly all of her major projects, as well as Announcement, the opening series of a new performance piece seven years in the making. Contextualized by an extensive timeline with letters, journal entries and interviews, Both/And provides a long-overdue close examination of O’Grady’s artistic and intellectual ambitions. Before she became an artist at the age of 45, Lorraine O’Grady (born 1934) worked as an intelligence analyst for the United States government, a translator, and a rock music critic for the Village Voice and Rolling Stone. O’Grady’s unique life experiences, as well as her identity as a diasporic subject, have informed her multidisciplinary practice across live performance, video, photomontage, public art and cultural criticism.
Published by Dancing Foxes Press and CCS Bard, 2021 Hardcover, 204 pages Dimensions: 10 3/4 x 8 1/2 inches (27.30 x 21.59 cm)

Lorraine O'grady Both/ And

We are excited to share a new comprehensive review of Edith’s philosophical foundations and influences published by the Environmental Design Archives, University of California Berkeley. This book features a visually dynamic historical timeline of Heath’s life and career, a history of products and dinnerware glazes, and a collection of essays contributed by historians and designers. All told with more than 340 rarely seen photographs and documents. Edith Heath's vision permeates everything we do and have done since she started the company in 1948. Join us in celebrating the legacy of our founder and one of the most important figures of postwar design history.

Edith Heath: Philosophies

Edited by Brian Wallis
Dan Graham's artworks and critical writings have had an enormous influence on the course of contemporary art over the past quarter century. Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power. Alternating with these theoretical essays are descriptions and documentations of Graham's own works and installations - projects that trace his explorations in conceptual art, video, photography, architecture, and public sculpture, showing the integral connections between Graham's criticism and his own artwork. Although as an artist Graham has been associated with minimalism, conceptual art, and postmodernism, his writing does not conform to the stylistic and theoretical constraints of any specific movement. With sources and topics ranging from Ronald Reagan to the Sex Pistols, from Michel Foucault to Dean Martin, Graham's eclectic investigations into the complex cultural relationships between art production and social reality are always strikingly original. What makes these writings particularly astonishing, though, is Graham's willingness to examine specific manifestations of popular culture  without regard to traditional qualitative judgments and without separating "high" or "low" culture from the processes of everyday life.
Published by The MIT Press. 1993 Softcover, 348 pages Dimensions: 10 3/4 x 8 inches (27.30 x 20.32 cm) This edition is out of print Condition: New

Rock My Religion: Writings And Art Projects 1965-1990

Edited with text by Diego Sileo. Text by Marcio Doctor, Paulo Myada, Trinidad Fombella, Michael Asbury, Catherine de Zegher, Tania Rivera. Interview by Diego Sileo.
Working within the censorious dictatorship of 1970s and ’80s Brazil, Italian-born Anna Maria Maiolino (born 1942), who moved to Brazil in her late teens, has produced works steeped in defiant political energy. Maiolino was a colleague of artists such as Lygia Clark and Hélio Oiticica, and later was affiliated to American conceptualism. Accordingly, she has embraced diverse mediums and genres, from clay and ink to video, installation and performance; also, she often incorporates aspects of Brazilian folk culture. Catherine de Zegher and Griselda Pollock have numbered among her champions.
Anna Maria Maiolino: O Amor Se Faz Revolucionário is the most substantial study of this important artist yet published. Featuring a die-cut cover and tipped-on cover image, it charts the rich variety of Maiolino’s work as it navigates a path through Brazilian art history and many of the major postwar movements, a path made decidedly personal through Maiolino’s experiences as a migrant, mother and global citizen.
Published by Silvana Editoriale, 2019 Hardcover, 370 pages with 400 color images Dimensions: 11 x 9 inches (27.94 x 22.86 cm)

Anna Maria Maiolino: O Amor Se Raz Revolucionário

By Nancy Princenthal
Over the course of a career that spanned fifty years, Agnes Martin’s austere, serene work anticipated and helped to define Minimalism, even as she battled psychological crises and carved out a solitary existence in the American Southwest. Martin identified with the Abstract Expressionists but her commitment to linear geometry caused her to be associated in turn with Minimalist, feminist, and even outsider artists.
Published by Thames & Hudson, 2015 Hardcover, 261 pages with 38 illustrations Dimensions: 9 3/4 x 7 inches (24.76 x 17.78 cm) This edition is out of print Condition: New

Agnes Martin: Her Life And Art

Introduction by Ricky Swallow

This is the first book on the Venice, California-based ceramicist Magdalena Suarez Frimkess (born 1926). Now in her 90s, the Venezuela-born artist is just now getting the recognition she deserves, with her work finding its way into the collections of LACMA and the Hammer Museum. Her unique approach to ceramics—incorporating cartoon characters such as Felix the Cat, Popeye, Olive Oyl, Goofy and Betty Boop as well as more traditional motifs such as landscapes, birds and flowers—has charmed a younger generation of artists such as Jonas Wood, Shio Kusaka, Mark Grotjahn, Lesley Vance and Ricky Swallow, who contributes an essay here. Magdalena Suarez Frimkess offers a broad range of the colorful autobiographical pieces she has produced over her career. This book also includes a poster of one of her characteristic
Published by South Willard Press, 2019 Paperback 80 pages/ 80 color images Dimensions: 6 1/4 x 8 1/4 inches (
6.25 x 8.25 in. / 80 pgs / 80 color.

Magdalena Suarez Frimkess

Edited by Karen Marta, Brian Roettinger
For her first artist book, Kaari Upson (born 1972) took an amalgamation of source materials, automatic drawings and sketches, which systematically, through different combinations and organizational systems, manifested itself as a revealing psychosexual graphic novel.  The Ullens Center for Contemporary Art chose Los Angeles artists' for the series The Los Angeles Project to make individual artists books.
Published by UCCA & Koenig Books, 2015 Softcover, 224 pages with 130 color and 65 black & white images Dimensions: 9 x 6 3/4 inches (22.86 x 17.14 cm)

Kaari Upson: The House

As if mimicking Gaetano Pesce's emancipation of objects through design and thought, this monograph features a cover made of pig bristle, coconut fiber, and silicone (cut to mimic Pesce's profile--nose and all); perforated pages that the reader can tear to create a unique object; and a wide selection of the designs that have arisen from Pesce's outside-the-box thinking of the past five decades.
Edited by Silvana Annicchiarico. Essays by Marco Panara, Aldo Colonetti, Gillo Dorfles, George Beylerian, Benjamin Ivry, Michael Sorkin, et al.

Publisher: Charta/ Triennale Di Milano, 2005
Designed by Fibragom, Salzano, Venice
Dimensions: 6 x 13 inches
Materials: Pig bristle, coconut fiber, rubber latex, silicone and colored silk screen
240 pages with 219 color images, perforated pages
This title is out of print
Condition: Very good

Gaetano Pesce: Il Rumore Del Tiempo

It has been said that Marrakech awakens all of the senses. Whether it is seeing the intricate zellige tilework; smelling the various spices sold at the souks; hearing the call to prayer emanate from the nearby mosques; touching the supple leather used to make a pair of babouches (leather sandals); tasting a flavorful tagine, Marrakech never fails to excite. Located just west of the Atlas Mountains, the city has been inhabited by Berber farmers for centuries. It has been dubbed the "Ochre City" because of the proliferation of red sandstone buildings and the red city walls, which now enclose the Medina, home to Jemaa el-Fnaa, one of the busiest squares in Africa. Marrakech overflows with culture and has been inspiring visitors for decades. From Yves Saint Laurent to Talitha Getty, Winston Churchill to Mick Jagger, Marrakech has attracted great icons inspired by its eternal spirit as well as its sweet, beautiful life. Yves Saint Laurent's intimate relationship to this city lead to the opening of a museum dedicated to his legendary work. The annual Marrakech International Film Festival draws a prominent crowd. Museums abound, exhibiting Moroccan arts, photography, carpets, and the Andalusian design aesthetic that permeates the city's architecture. La Mamounia hotel, opened in 1923, offers a storied history, which includes hosting guests such as Winston Churchill. Vanessa Branson's El Fenn is a collection of traditional riads that form a stunning boutique hotel. There are countless ways to be immersed in the culture of Marrakech, but perhaps the best place to start is with a simple glass of mint tea.
Dimensions: 9.84" W x 12.99" H x 1.97" D
304 pages, Hardcover

Your source for the new bohemian home. Made ethically by artisans around the world working in traditional crafts.

St. Frank

Marrakech Flair

Text by Elizabeth Karp-Evans, John Miller and Vincent Pecoil Interview by Bob Nikas
Mixed media artist Servane Mary appropriates vintage images from magazines and advertising from the 1940's to the 1970's. She uses found photography to explore underlying social and political issues with particular attention to gender.
Published by Pacific, 2019 Hardcover, 248 pages, illustrated throughout Dimensions: 11 1/2 x 8 3/4 inches (29.21 x 22.22 cm) Edition of 500

Servane Mary 2006-2018

This in-depth candy cookbook from the owner of Quin — a popular Portland-based candy company — offers more than 200 achievable recipes using real, natural ingredients for everything from flavor-packed fruit lollipops to light-as-air marshmallows.

Candy Is Magic

Edited with text by Yilmaz Dziewior. Text by Johanna Burton, Wade Guyton, Michelle Kuo, Kerstin Stakemeier.

A huge and lavish survey of Wade Guyton’s works and exhibitions, is the end all, be all monograph on Wade Guyton.
Accompanying a retrospective exhibition at the Museum Ludwig in Cologne, this catalog documents Wade Guyton’s (born 1972) solo exhibitions, including reproductions of many of his well-known large-scale paintings made with a conventional inkjet printer, alongside short texts and floor plans.
Published by Walther Konig, 2020
Hardcover, 584 pages with 2000 color images
Dimensions: 12 x 10 1/4 inches (30.48 x 26.03 cm)

Wade Guyton: Zwei Dekaden Mcmxcix–mmxix

By Shane Butler
Long before the invention of the phonograph, the written word was unrivaled as a medium of the human voice. In The Ancient Phonograph , Shane Butler takes us back to an age, long before Edison, when writing itself was still relatively new. He meticulously reconstructs a series of Greek and Roman soundscapes ranging from Aristotle to Augustine. Here the real voices of tragic actors, ambitious orators, and singing emperors blend with the imagined voices of lovesick nymphs, tormented heroes, and angry gods. The resonant world we encounter in ancient sources is at first unfamiliar, populated by texts that speak and sing, often with no clear difference between the two. But Butler discovers a commonality that invites a deeper understanding of why voices mattered then, and why they have mattered since. With later examples that range from Petrarch to Puccini, Mozart to Jimi Hendrix, Butler offers an ambitious attempt to rethink the voice — as an anatomical presence, a conceptual category, and a source of pleasure and wonder. He carefully and critically assesses the strengths and limits of recent theoretical approaches to the voice by Adriana Cavarero and Mladen Dolar and makes a rich and provocative range of ancient material available for the first time to students and scholars in voice studies, sound studies, and media theory. The Ancient Phonograph will appeal not only to classicists but to anyone interested in the verbal arts — literature, oratory, song — and the nature of aesthetic experience.
Published by Zone Books, 2015 Hardcover, 281 pages Dimensions: 9 1/4 x 6 1/4 inches (23.49 x 15.87 cm)

The Ancient Phonograph

By Grace Deveney
Heralding the ascent of one of the art world’s most promising young painters, this monograph shows how Quarles’s works confront themes of sexual identity, gender, and queerness.

A member of the vanguard of artists who are upending the white-male-dominated art scene, Christina Quarles’s art is often considered in relation to her identity as a queer, ciswoman of mixed race. Her large-scale, exuberantly colored paintings reflect both the ambiguities of these identities as well as the constraints that such labels enforce. This book features paintings and drawings from throughout Quarles’s career. Working mostly in acrylic, Quarles populates her canvases with polymorphous figures that reference her background in life drawing, but with an expressionist spin all her own. Her figures’ disconnected arms and legs break through a surface punctuated with bold patterns, textures, and staccato markings. Curator Grace Deveney’s illuminating insights into Quarles’s work reinforce its power and vitality and illuminate why this young painter is making waves in the contemporary art world.
Published by Prestel, 2020
Paperback Flexi-cover 100 pages. 58 color illustrations
Dimensions: 7 1/2 x 10 7/8 inches (19 x 27.5 cm)
This title is out of print
Condition: New

Christina Quarles

Interview with the artist and Kate Kraczon and essay by Jim Shepard
Becky Suss (born 1980) presents selections from her most recent body of work in her first solo museum exhibition. Meditative, large-scale paintings and smaller studies in oil and ceramic reimagine the domestic spaces of her relatives with a focus on her late grandparents’ mid-century suburban home. Echoed in these works is the political climate of Cold-War America.
Published by ICA, Pennsylvania, 2017 Hardcover, 96 pages and illustrated throughout Dimensions: 9 1/2 x 6 3/4 inches (24.13 x 17.14 cm) This title is out of print Condition - new

Becky Suss

Edited by Kim Hanauer
Contributors:  Mei Lum, Bilphena Yaywhon, Lizania Cruz, Adriana Monsalve, Andrea Arrubla, Rami Karem, Keumran Yun, Bomin Jeon, Sheida Soleimani, Asul Azeem Omotosho, Filimon Fishaye, Luwan Teweldebirhan, Salam Gebremichael, Ladin Awad, Joseph Lee, Harris Bauer, Umico, Mina Cheon, Kearra Amay Gopee, Lu Zhang, Dafna Rehavia, Rosemary Reems,
Sentiments: Expressions of Cultural Passage is a compilation of the sensitivities, hacks, gestures, and actions that we, as immigrants, have used to nourish and preserve ourselves, our families, and our communities. It serves as a toolkit for sanctuary-building, self-determination, and resistance, in the form of ongoing conversations, workshops, artist projects, and writings that explore cultural passage, immigrant identity, and notions of sanctuary. Through this compilation, Sentiments provides a first-person documentation of the various intersections of immigrant identities and the multiple and complicated facets of immigrant experiences. In complicating the traditional narratives, this collection of voices resists the reductive oversimplification of our racially diverse, multicultural, multilingual, and third-space identities, and offers a more nuanced treatment of the wide-ranging identities and experiences that characterize immigrant existence. Additionally, this series explores how the lived experiences of those who are called immigrants in the United States can inform our understanding of how white supremacy has constructed society—and how we can dismantle it.
Published by Press Press, 2018 Softcover, 320 pages with illustrations throughout.  Art work by Andrea Arrubla included. Dimensions: 10 x 8 inches (25.4 x 20.32 cm)

Sentiments: Expressions Of Cultural Passage

A Childs Journey Back in Space and Time
Edited by Nancy Lyon and Daniel Jesse Wolff
Produced as a snapshot album, it combines family photographs taken by Lyon's ancestors in czarist Russia and pre-World War II Germany with his own photographs of his children. The book's premise is that the children receive a space-time machine as a gift and go off into the past. There they relive years of previous adventures through their family's old photographs. Includes many pictures taken by Lyon over the course of a decade, as well as text and poetry inspired by his children
Publisher: Bleak Beauty Books, 1989 Dimensions:  11 x 14 inches Spiral bound 26 pages Black and white photography throughout. Signed by the artist

Danny Lyon: I Like To Eat Right On The Dirt

Facsimile edition of Destroy All Monsters Magazine includes remnants of the lost 7th issue, which was never released. Destroy All Monsters Magazine was edited Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw.
Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted.

Publisher: Primary Information, 2011 Dimensions: 11 x 8.5 inches 278 pages 40 color and 185 black/white images Out of print Condition: new

Destroy All Monsters

This book is a compilation of a new wave in contemporary floral design, featuring artists who combine traditional techniques with an organic, free-form, “back-to-nature” style. The opposite of buttoned-up and manicured arrangements, this survey includes over twenty of the most celebrated and influential artists across the United States who are rewriting the rules of floral design.

In Full Flower

By Martha Buskirk, Virginia Rutledge, Francesca Esmay, Ted Mann, Jeffry Weiss, Nancy Spector, Lena Stringari
A deep dive into the Guggenheim Museum’s vast collection of Minimal art from the visionary Italian collectors Giovanna and Giuseppe Panza di Biumo.
Based upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, Object Lessons focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. Authors Francesca Esmay, Ted Mann and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work’s realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work’s future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art. A separate section, with contributions by Martha Buskirk and Virginia Rutledge, examines the topic of decommission, a new category of collection classification for works that are contested or compromised and are therefore no longer viable for display. Throughout, the book is copiously illustrated with photographs of the works, the exhibitions in which they appeared, and related drawings and proposals. Rounding out this volume are extensive excerpts of new interviews with artists and fabricators, key historical documents and previously unpublished correspondence.
Published by The Guggenheim Museum, 2021 Hardcover with 324 pages Dimensions: 11 x 8 inches (27.94 x 20.32 cm)

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